Cassandra's Head

This stage involves the main shooting and the work of the entire crew on set. It is the period of filming the movie using the concepts and plans from the pre-production phase. At this stage, all creators and the entire film crew, including actors, technical crew, director, and producers, are involved. It encompasses work aimed at ensuring that all elements of the film are appropriately executed according to the script's objectives and the director's vision.

The period starting after the completion of filming for the movie. The creative team responsible for post-production begins work on tasks such as editing, sound post-production, and special effects. This is a crucial stage that enables the creation of the final version of the film, ready for distribution.

The time of intense work that enables entering the film set. It includes planning and refining necessary elements before the actual production begins, such as prop making, costume design, camera tests, working with actors. At this stage, there is often a return to script revisions as well.

The initial stage of production involves tasks such as writing the script, casting, budgeting, scheduling production, location scouting, special effects planning, set design, costume design, and many similar activities. During this time, actions and decisions are taken to create the main vision of the film.

This is the stage that follows post-production and involves final tweaks, refinements, and preparations before the film's premiere or distribution. During this time, a final inspection is carried out with the distributor, known as the film's acceptance in its final version, closing the film's settlement and all formalities. Promotional activities such as interviews with actors, creators, and ambassadors are also planned. The final work on the film aims to achieve the ultimate quality and coherence of the film and prepare it for distribution.

The revenue obtained from ticket sales for cinema screenings. Several factors influence their size, including the film's success in cinemas, ticket prices, the number of cinemas showing the film, and the screening period. The amount from this source is reduced by distribution costs (distributor's commission, cinema fees, etc.).

Revenue from licensing agreements made with streaming platforms in exchange for providing content on them. Unlike traditional cinemas, where viewers pay for individual tickets, streaming platforms operate on a subscription-based or pay-per-view basis for specific content.

Pay TV (Pay Television) – revenue received from paid television operators for providing content on their platforms. Pay TV includes cable television, satellite television, and IPTV platforms that offer channels and content for a subscription fee.

Free TV (Free-to-air Television) – revenue received for providing content on free-to-air television channels (those available to viewers without additional subscription fees or payments for access to specific content).

TVOD (Transactional Video on Demand) and any other on-demand forms – refer to revenues obtained from subscription platforms. In this option, a selected item can be viewed for a specific time for a one-time fee.

All other areas of film exhibition, such as airing on airlines or in hotel networks.

Share of profit for private and institutional investors. Paid with equal priority in proportion to the amount of the Investment Contribution remaining to the final Film Budget Amount.

Share of profit for other entities participating in profits divided based on agreements with creators, actors, partners, distributors, co-producers, the production company, and other entitled entities.